The art of the album closer.

What is The Run Out Grooves? I’m Mitchell Stirling. By day, I’m an aviation consultant; by night, I’m a music writer obsessing over structure.

The Run Out Grooves is a weekly publication dedicated to one specific thing: the final track on an album. Why is it there? What is it doing? And how does it reframe, or reinforce, everything that came before it?

Since launching in 2021, I’ve covered over 250 closers, blending reporting, production history, and cultural context. The archive ranges from the canonical (The Beatles’ ‘A Day in the Life’, Prince’s ‘Purple Rain’, David Bowie’s ‘Rock ‘n’ Roll Suicide’, The Rolling Stones’ ‘You Can’t Always Get What You Want', and Led Zeppelin’s ‘When The Levee Breaks’) to the cult (Teenage Fanclub’s ‘Is This Music?’, Roy Harper’s ‘When an Old Cricketer Leaves The Crease’, John Shuttleworth’s ‘Pigeons In Flight’).

These pieces mix reporting, context, and personal history, with an eye (and ear) on what these endings say about the album, the artist, and the era.

Why subscribe? Join a community of over 1,200 music fans, writers, and industry professionals.

Acclaim & Community

Where to start? If you are new here, these editions capture the spirit of the project:

Elsewhere

  • Bluesky: [at]mitchellst.bsky.social

  • Email: therunoutgrooves[at]gmail[dot]com (tips, corrections, ideas welcome)

What’s next?

I am currently working on an adaptation of The Run Out Grooves for book form. In the meantime, I have a full slate of weekly posts mapped out well into 2028. We’re nowhere near the run-out groove yet.

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Sometimes, the last song says everything. Essays on the greatest (and not so great) album closers. How they’re made, what they mean, and why endings stick.

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